After a 6 year hiatus from feature films, Ti West burst back onto the big screen with his highly acclaimed X, a throwback to the grimy horror films of the 1970’s. As an added treat to audiences who finished the film thinking, “I want more”, the surprise teaser for a follow-up, Pearl, blessed audiences. Very […]
MOONAGE DAYDREAM Highlights David Bowie And His Endearing Mystique
Brett Morgen’s Moonage Daydream is unlike any documentary you may have seen. A large reason for this is because calling it a documentary seems like a disservice. After all, anything surrounding the enigma that is David Bowie is bound to exist somewhere outside the usual lines. Instead, Moonage Daydream serves audiences a multi-medium portrait of […]
I LOVE MY DAD Interview | James Morosini Talks Discomfort Comedy And Putting It All Out There
When given the opportunity to speak with James Morosini of I Love My Dad, we jumped at the chance to discuss this incredibly fun, empathetic film. Available in select theaters and on demand, check out the film, and come back here to see how it all came together, how Morosini was able to balance it […]
EMILY THE CRIMINAL Interview | John Patton Ford On The Inception of His Debut Film
Emily The Criminal is the debut film from writer/director John Patton Ford. Having celebrated its world premiere at the 2022 Sundance Film Festival earlier this year, the film stars Aubrey Plaza shining in a performance we have yet to see her take on. We had the opportunity to discuss the film with Patton Ford and […]
BODIES BODIES BODIES Is Neon-Tinged Slasher Fun Done Right
It must be quite a shock to the system whenever someone describes a horror film as deliriously fun. Yet for fans of the genre, there’s nothing better than diving into something that can be described as such. Halina Reijn’s Bodies Bodies Bodies fits into that category with flying colors (literally). Equal parts slasher-horror and flatt-out […]
I LOVE MY DAD Is A Twisted (And Fun) Look At Empathy
For many viewers, cinema can be a form of therapy. Film allows its audience to work through certain issues in our lives without necessarily confronting them directly. The same can be said for filmmakers on the other side of the screen. And this inverse therapy is exactly what appears in James Morosini’s feature, I Love […]