Ever since I first saw Quentin Tarantino’s third feature, Jackie Brown, it has always represented an odd curio in his personally beloved oeuvre. While neither rare nor unusual as the definition of this particular descriptor would claim, it is deeply intriguing. In fact, I would (and will) argue that it’s a film which represents a […]
Category: Film Thoughts
DRIVE-AWAY DOLLS Holds Some Classic Coen Charm
The Coen brothers can make basically any type of movie. They’ve both proved it with the countless classics given to us over the decades. While all the films retained their distinct voice, so many veer into different genres. They can be placed into a variety of categories, but inevitably, all fall under the umbrella of […]
A REAL PAIN: A Film Full of Empathy
Last year at Sundance, Jesse Eisenberg gave us his directorial debut, When You Finish Saving the World. It was an ambitious, albeit flawed, exploration of some of the problems facing today’s youth and the generational gaps that amplify them. The film felt like a cry for help from someone who had a deep concern for […]
Dad Movies with Dad: Kathryn Bigelow’s Point Break
It’s July 1991, and Point Break opens up in theaters. A 22-year-old walks into the theater and sits down. Reflecting on it now, my 55-year-old dad says he was drawn to it because it has everything that makes a movie great: a little romance, some movie stars, great action. But many movies have this, so […]
POOR THINGS: The Weird Beauty of Discovery
As a fellow Greek, it brings me immense pleasure to say that Yorgos Lanthimos’ first feature film in half a decade is finally here. And quite frankly, there’s no point in sugar coating anything about Poor Things. It’s likely one of the most fascinatingly beautiful films you’ll see all year, and has the idiosyncratic touch […]
SALTBURN Is A Compelling Tragedy With A Fun Spin
Coming off the heels of a Best Original Screenplay Oscar for Promising Young Woman, writer/director Emerald Fennell had all eyes on her next project. Enter Saltburn, Fennell’s sophomore feature film, and a significant step-up for the filmmaker in terms of on-screen skills. Fennell once again examines power dynamics through the lens of her characters, and […]